Ariadne auf Naxos / Festival d’Aix-en-Provence

“Eric Cutler, once again proving himself a Straussian tenor of distinction.  He sang his punishing music as if it were the easiest thing in the world.  Where so many before have run out of gas, he had room to spare.  He was also able to pull back and shade the tone ravishingly.  The final few minutes saw Cutler opening up and soaring on high in the most memorable way.”

Operatraveller

“The god himself was sung in tirelessly ringing voice by Eric Cutler.”

Opera Magazine

“The American Eric Cutler perfectly fulfilled these premises, leaving a very positive feeling, even in a pianissimo that has its role, just a phrase, which he embroidered without falling into the falsetto as many others do. Bravo.”

{El norteamericano Eric Cutler cumplió perfectamente estas premisas, dejando una sensación muy positiva, incluso en un pianissimo que tiene su rol, sólo una frase, que bordó sin caer en el falsete como otros muchos hacen. Bravo.}

Javier del Olivo – Platea Magazine

“Absolutely on top of his game and in world class form: Eric Cutler as Bacchus. What a brilliant, virile, radiant voice, what stamina, what wonderful, never compromised high notes! With seemingly endless resources, the tenor performed the dreaded role, with which many a colleague has struggled. A brilliant performance and a listening pleasure in a class of its own.”

{Absolut auf der Höhe und in dieser Form Weltklasse: Eric Cutler als Bacchus. Was für eine glanzvolle, cirile, strahlender Stimme, was für eine Stamina, was für herrliche, nie gefährdete Höhen! Mit schier endlos wirkenden Reserven gestaltete der Tenor die gefürchtete Partie, an der sich schon so mancher Kollege mühevoll verbohen har. Eine bravouröse Leistung und ein Hörgenuss der Sonderklasse.}

Opernglas